“…Every one of the Jelisić’s portrait sculptures has its own crystal gravity. Its spirit. Individuality. Haecceitas. Its beauty and symbolism. Some have ornamental metaphor, and the purity of dream-world fabulation. The significance of those warmths, hopes, dreams, futurist projects and plans, dramas, sufferings and delusions that have been put before us in such abundance either by literature about Tesla or by Tesla’s own intimate life written in his own hand. And here somewhere is that white pigeon that he could not get over, of such major emotional importance for him. Love and lover. Friend and fellow traveller…”

(forewords by Branislav Glumac, from Catalogue of Pero Jelisić’s exhibition “Nikola Tesla”)